Recently an article appeared on my Facebook feed a few times calling for us (“us” meaning contemporary-worship-music-singing-churches) to banish a particular set of songs from corporate worship. This is, of course, just one of many pieces that have a bone to pick with certain songs, and in those pieces, certain objections tend to show up frequently.
Obviously the Lord must be mentioned by name for it to be clear that He is being worshiped and exalted. It says so right there in the book of Esther, does it not?
Whom have I in heaven but You? And besides You, I desire nothing on earth. (Ps 73:5)?
It wouldn’t take much time on the internet to find plenty of folks carping about excessive repetition in contemporary songs. Perhaps you’ve heard the phrase “7-11” songs: those which repeat the same 7 words for 11 choruses.
The writer happened to pick on a song called “Burn For You” (I’m not familiar with this song) for lyrics that overstate what the typical churchgoer is willing to do for the cause of Christ and in obedience to him. Similar things have been written about “Oceans” and could be written about any number of other songs, both contemporary and traditional.
Yes. It’s true. My affluent suburban life suggests that I probably have never actually gone anywhere and done anything at any cost to follow the call of Christ. My desperation in my own difficult circumstances is sufficient to see that going where my faith is without borders would likely send me reeling even more than I do.
The writer dings on the lyric “From the cross to the grave, from the grave to the sky” because “the idea of heaven being in ‘the sky’ is just theologically incorrect.” Well, yes, Jesus sitting at the right hand of the Father making intercession for us is not happening in the earth’s atmosphere. But
And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.”
So maybe that lyric could be referring to crucifixion, resurrection, and ascension, you reckon?
That’s not all of the gripes in the article, but these points (well, maybe with the exception of inadequate cosmology) are the ones she used that I’ve seen the most in other writing. While some of her points raise very valid questions that could lead to edifying discussion, the piece on the whole is just a way to express her personal preferences about some popular worship songs. But should these preferences drive song selection? More on that next time.